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长篇电视剧《海之门》以改革开放以来台州经济社会大发展为参考，以跨世纪的二十年为时段，以三个退伍士兵、两个孪生姐妹等人的艰辛创业，以五任书记的递次交棒，展示了我国改革开放的历史进程，也突出展现了民营企业家在此过程中所做的贡献……。经营太阳集团的崔氏家族，拥有让所有人欣羡不已的泼天财富，而海外求学归来的崔氏长子崔江洲（李弘基 饰）更成为眼中只认钱的女子们渴望攀附的钻石王老五。崔计划与女友张依京（杨真诚 饰）完婚，但是依京不愿按照妈妈的意图成就这场利益婚礼，她在婚礼前夕选择逃离。阴差阳错之下，与依京长得一模一样的穷人家女孩罗斗琳（杨真诚 饰）偷龙换凤，成为了崔的未婚妻。仓促的筹备和训练难免出现差错，不过斗琳倒是和江洲越走越近，其顽皮鬼马的性格给看惯了虚假笑容的江洲带来不少的快乐。然而星点快乐却被恐怖的氛围笼罩，崔氏家族有一个流传甚久的传说，据说家族中长子的第一个新娘都会受到诅咒死去。 围绕着这个传说，江洲、斗琳以及张氏兄妹的命运全都被扭在了一起……。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。