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This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。影片讲述了四位暗杀高手为了一桩未完成的案件汇聚香港。在一个幽闭的环境中上演高度紧张的对决。在这里，谎言被揭穿、暴力掌控一切，《隔山有眼》试图诠释爱与暴力、残忍之间的对抗。并提出终极问题：爱的代价究竟有多大？。香港国际刑警特工队员李卓敏，机场接得国际扫毒专员来港安排一特别任务. 途中遭伏击，专员被劫走，泰缅大毒枭章铁夫致电美国国际刑警总部，以专员交换人质. 任务落在香港特警队长洪彼得身上，洪即电召行动组组长夏振飞及李卓敏等，同时找得善于丛林战的阮志勇，雷军，阿胜等赴毒枭大本营救专员在曼谷街头，一泰女杀手黑天使乔扮卖花女郎枪杀夏振飞，李卓敏追至一废墟，与黑天使展开一场斗智，枪战，拳脚的生死搏斗……。