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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。春城饭店是个让人头疼的烂摊子，饮食公司的领导决定让牛宏（孙淳 饰）去春城当经理，在姐姐牛华（陈烨 饰）的鼓励下，牛宏走马上任。在牛宏的领导下，饭店扭亏为盈，破天荒发了奖金，为争奖金孙连香（邱渝贞 饰）和崔芬（童燕 饰）吵得不可开交，牛宏扣发了她俩的奖金，邱二宝（孙敏 饰）也因违纪被罚。对刘俊英（殷亭如 饰）一直有好感的牛宏想请她为饭店画幅璧画，刘答应了。当他知道刘有男朋友且马上要结婚时，心里很不是滋味，婚礼当天，战胜理智的牛宏亲自掌勺做莱并给新人敬酒。春城的火爆另公司内部人眼红，状告他有经济问题的材料上了领导办公桌，他跟领导据理力争，却被当场撤职，他顿感无奈和迷茫......。贺永年自幼失去了双亲，由商店的老板娘抚养长大成人。老板娘家里有个小女儿静琴，静琴和贺永年从小相处到大，两人之间青梅竹马的友情渐渐升级成为了爱情。静琴深深的爱着贺永年，处处为他提供帮助，老板年也对这对璧人的感情十分的支持。 努力工作的贺永年在单位受到了上司梁老板的重用，因此结识了梁老板的女儿阿妮，阿妮对贺永年一见钟情，百般勾引和诱惑他，最终，在美色和财富的引诱下，贺永年抛弃了静琴，和阿妮走到了一起。之后，阿妮的同学亨利撺掇贺永年同他合资搞房地产生意，实际上，他早就为贺永年设下了圈套。。