伤物语3冷血篇

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龙头老大乔宏多年经营一统香港黑社会，并全面企业化，派头十足，只有赌王不愿归顺，赌王精通枪械与赌术，逢赌必胜，从无对手，赌王与乔宏之女为知己好友、恋人，乔女亦深暗赌技，二人交往纵横赌场浪漫而刺激，乔宏却需赌王依顺才应允两人亲事。 日本黑道人物田中意图染指香港地盘，又与美国黑道有特殊交易，以乔宏之弱点对付美国黑社会以收渔人之利，巧计一场赌局，邀得美、日、港各赌王一决赌技，乔宏误入田中之计谋，如要牌局上赌输赢，需借助赌王之臂，乃设计儿女情令赌王应允参加。 赌王与乔女筹备婚礼时，惊传乔宏别墅已被夷为平地，仅乔子幸免，遂采取报复，直捣杀手窝巢，而乔女却又落入田中之手沦为人质，这时赌王赶至，再做最后一博赌局。 赌王的最后一张王牌是什么呢……。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。